I photograph to understand. Through photography, it’s easier to observe myself and the world. I’m not interested in events — I’m drawn to feelings, to the moment when something has already gone.
Often, it’s concrete, light, fabric, dust. Places where nothing really happens. Photography, for me, isn’t about aesthetics — it’s about seeing. About how the ordinary becomes personal.
I’m drawn to the idea of mono no aware — the quiet sadness of things slipping away. Things disappear, and that’s where their power lies.
- Silence on the edges of the city
- Street Contrats
- Honest, personal gaze
- philosophy of emptiness
- Chance as a method
What matters to me: